OLP0120 wrote:Hmmm, maybe it's just me, but I don't think hitting one high note every once in a while (ie, Paper Moon, or Moon Struck One) can really tell us much about how he'll be singing Spiritual Machines songs. I can't really see the parallel between the occasional high note and all out falsetto singing like on the chorus of All My Friends, Blister, Happiness and the Fish, Car Crash, etc. The examples we have of him hitting high notes in the recent days are in a completely different vein than that of Clumsy and Spiritual Machines.
Moon Struck One has a lot of familiar features that bleed nostalgic Raine. I'll agree with you excluding Paper Moon, however.
Once you get to a falsetto, it's quite easy to hold it at that pitch. Just because he hasn't held it for a full verse recently, I think MSO proves he can slide into that falsetto with ease and theoretically he should be able to hold it there just fine.
HOWEVER> In recent years Raine hasn't performed falsetto too well live, IMHO. And this is also considering that MSO is recent.
Go on to the hub, and look through for Car Crash from their last tour and judging by that, it didn't sound to shabby there, then again, that was 4-5 years ago.