by carleiu » 9/7/2020, 10:24 pm
HIPT is the first album that Raine started singing from the gut (technically, the more "correct" way of singing) instead of from the lungs. Which in my opinion was an unfortunate change because it caused him to get rid of his gritty, post-grunge style of singing. It also caused him to knock down his range several notches and truncate his previously (more) nasally style of singing and use of falsetto. The falsetto he uses today is a soft falsetto, whereas back then it was more of a burst of aggressive lung-originating belting.
I prefer the older style, but can acknowledge the change was in attempt to become more of a traditional rock singer to appease Bob Rock rather than the Sinead O'Connor influenced style he had used before.
Every band and singer evolves over time, and many rock bands chill out on the pace and aggression in their playing/singing, but for OLP, this essentially equated to ditching their proven styles for new territory. On one hand, I miss the old style, but on the other hand, the evolution probably has a lot to do with why they're still making music (and the less aggressive style probably saves Raine's vocal cords from damage). Although, I've heard many people say over the years that his previous falsetto was harmful and likely painful to his vocal cords--as a person who can sing in a similar falsetto range myself, I can attest to the fact that it is not painful and is actually easier on the vocal cords than most forms of singing due to slower air flow through the vocal procedure. The gritty, grungy singing style would've definitely been more painful, though.
HIPT is an album that represents that change to me. Musically, I'm good with most of it, although I don't like the blandness and generic (U2-esque) elements of tracks like "Boy." My rankings would be: Spiritual Machines, Happiness, Clumsy, Naveed, Gravity, HIPT, a tie between Curve/ Somethingness, and Burn Burn. Although I could listen to all of them front to back. "AYDWSML" is the low point for me, though. Co-writing with Zac Maloy was a mistake in my opinion--I enjoyed "Baton Rouge" at the time that it was released, but I wouldn't consider The Nixons to have been breaking any creative new ground with any of their music, so the partnership in writing that song was pretty "blah" for me.
That being said, if a band whose existence spans 28 years and counting has a low point of a single song being "blah" for me, then they've done one helluva job. The only other active bands I would put in the category of that much quality from their first album to their last (or most recent) would be Wilco and The New Pornographers.