Trapeze

Our Lady Peace

Song Category Unreleased
Live Count 15 Performances
Lyrics
Can't believe she fell The silence was unnerving The crowd began to yell Was their thought of her returning So you never knew him well But you know what you've been seeing These images of guilt And the concrete in her hair So far Well these lions still need taming It's very bad, it's very bad No, no She fell very hard very far No, no And for this cannonball Cannonball As desperate as you felt Were you strong enough to leave him Oh you need to know him well He's an angry acrobat So you struggle with the will With the will that you've been seeing These images of guilt And the concrete in her hair Fall girl And the ambulance is waiting It's very sad, it's very sad No, no And she fell very hard, very far No, oh no For this cannonball Cannonball No, no And she fell very hard, very far Yeah And he walked away from And he walked away from And he walked away from And he walked away from And he walked away from Can't believe she fell Well it happened in a turning You struggle with the will But the thought that this The thought that this So far Well these lions still need taming It's very bad, it's very bad Bad No, no And she fell very hard, very far No, no And for this cannonball Cannonball No, oh no She fell very hard, very far No, no For this cannonball Cannonball
Discography
Summary 0 Albums / 0 Promos / 0 Singles
Live Performance History
Live Debut 1996-06-30
Molson Park
Most Recent 1998-02-11
Molson Centre
1998
12
1996
3
Song Notes
Raine Maida, Transparent Humans Radio Hour, 13 Feb. 1997:
It'll get out there one day. It'll be like a b-side or something. It just didn't seem to fit with the other 11 songs, it seemed to be kinda like the sore thumb. I mean it's something we still like, it's just a matter of finding the right situation for it.


Raine Maida, Circus Magazine, Apr. 1998:
It wasn't by design, that was kind of strange. Some of the first lyrics I wrote were for Trapeze, a song which never made the record, but we play it live. These initial ideas kind of set the tone, because I really told a story. Trapeze is about the head trapeze artist at a Russian circus who was married to one of the female performers. The couple got a divorce because he found out she was having an affair with someone else in the camp. That kind of set the tone for the record, which I think is based on making decisions. Not split second decisions, but when you get caught off guard and you have to make a choice. It's about what people choose to do in those times.